Choreographer in VOM SCHREI ZUR BEWEGUNG
©Foto: Jennifer Rohrbacher
In co-creation with dancers Felipe González, Lola Villegas and Rebecca Mary. Costume: Bianka
Heck. Music: Francisco Goldschmidt. Video: Konrad Bohley. Dramaturgical Support: Sabine Noll.
Technical Support: Adalberto Cuba Calderón and Team E-WERK Freiburg. Production
Management: Linda Brodhag. Social Media: Arturo Martínez.
VOM SCHREI ZUR BEWEGUNG weaves together stories of Latin American dictatorships
bringing the voices of women and gender-diverse people into focus. Dance, music, video, and
embroidery converge to create a living archive of emotion and memory.
Premiere 20.March.2025 / E-WERK. Freiburg.
Press Review (Excerpt)
Restoring dignity to the victims of violence — Andrea Lagos Neumann reflects on the victims of political violence at the Kammertheater of E-Werk.
Her piece Vom Schrei zur Bewegung leads the audience into a world far beyond any trigger warning. The performers could easily be overwhelmed by the intensity of this chamber piece, yet the artistic approach ensures that it never feels banal, nor does it give the impression that the work elevates itself through the suffering of others. Forgetting the victims of violence is simply not an option.
Annette Hoffmann, “Restoring dignity to the victims of violence”, Kultur Joker, March 2025, p.8
A project realized in cooperation with E-WERK Freiburg e.V., Tertulia Freiburg e.V., Nuestra América e.V., Feministisches Zentrum Freiburg e.V., Archiv Soziale Bewegungen e.V. and Feministische Geschichtswerkstatt Freiburg e.V. Funded by Kulturamt Freiburg, Landesverband Freie Tanz- und Theaterschaffende Baden- Württemberg, Ministerium für Wissenschaft, Forschung und Kunst, Stiftung Landesbank Baden-Württemberg and Sparkasse.
Choreographer & Dancer in GOLDEN CUP
©Foto: Jennifer Rohrbacher
In co-creation with dramaturg Dr. phil., Jutta Krauß, Music Composer Juan Pablo Orrego
and Lighting Designer Natalie Stark.
Golden Cup explores how bras and going braless shape and alter the female body — how they enable or restrict movement and contribute to the construction of identity. On stage, the costume becomes both a space of action and a scenographic landscape. A dance event that critically examines ways of perceiving the female body.
Premiere 19.September.2024 / SÜDUFER, E-WERK. Freiburg.
Press Review (Excerpt)
The artist draws choreographic links to the self-determination of the female body, to the visibility and invisibility of the female breast. In doing so, she connects her work to contemporary feminist debates and offers a critique of how all of us are shaped by the influence of a structural male gaze. She invites her audience on a (critical) journey through the female body.
Inés Tönnissen, “Welche Brust bekommen wir zu sehen?”, Kultur Joker, October 2024, p. 7.
A project realized in cooperation with the Feminist Center Freiburg and E-WERK Freiburg.
With the kind support of the City of Freiburg, Regierungspräsidium Freiburg, LBBW Bank
and Triumph International.